CD

Preorder - Delivery for the release on June 24th.

On June 24, 2022, 22 years after his debut album, Chris Colter's new album will be released on TIMEZONE Records under the humorous title "Nice To Be Back To Be Back Nice".
Most contemporaries know the powerful-voiced Bavarian by his real name Christian "Cheese" Koller and above all as a singer in bands such as Tana Nile, Snakehunter or the CheeseBallz. In the calm of 2021, Chris looks back on an impressive back catalog of 6 studio albums, one live album and 36 years of gigs on many stages in Germany, Austria and Switzerland. Dozens of songs were written during this period and never released. The idea of ​​a musical inventory ends in summer in the Ostwerk music production studio north of Regensburg. Produced by Richie Necker, 12 new, exclusively self-written songs are created, which tell stories and dreams from the world of real small town boys in their very own way - sometimes like John Hiatt, sometimes like Bob Seger, sometimes like Blackberry Smoke.
In 1999 the singer / songwriter presented his debut album "Late at Night", which was recorded in Nashville USA and produced by Joe Sun. Back then, Chris was working with a number of well-known songwriters, such as Gary Nicholson, who can also be found on the then current Wynonna album and who had also written for Petty Loveless and Billy Ray Cyrus. Another interesting songwriter on "Late at Night" is John E. Moffat, who also wrote for Pam Tillis and Steve Earl, among others. He also brought some interesting musicians into the studio, who hired out to country greats like Lyle Lovette and Faith Hill. Late at Night was released by Rosewood Records.
The creation of the debut seemed to have electrified the long-established country squad around the German American Country Music Federation and Chris Colter was nominated for their award as Newcomer of the Year 1999 and invited to the big country gala in Chemnitz. However, the nomination remained. After all, the jury awarded the singer / songwriter the title "too rock for country, too country for rock".

01 Long Gone
02 Cuban Tush
03 Tell It To The Moon
04 Cross That Line
05 Don't Treat Me Like That
06 Now You're Gone
07 Should Have Known Better
08 Clown Without A Circus
09 Under The Sun
10 Saving The Best For Last
11 Moving On
12 Tagish River

How does it feel when you make yourself comfortable in the face of uncertainty? When you realize that all searches for meaning ultimately lead nowhere: Or to the heart.
How does it sound when you're desperate? When your own anger rebounds silently like rubber on someone else who doesn't want to understand you?
And how much courage does it take - despite all the storm clouds - to shake hands - soaking wet from the lukewarm summer rain, blinking at the sun?
The musician and artist, Philipp Astor, who actually comes from the circus and has traveled the world as a juggler, is perhaps best able to tell of the sad beauty of life. At moments he can also play the fool who is allowed to say what uncomfortable pinches somewhere in the conscience. He manages to do this without pointing fingers, with catchy melodies, witty lyrics and a good portion of indomitable obstinacy.
Romantic, sad and yet wonderfully encouraging.

01 travel companion
02 robber
03 Microbiome
04 Common
05 Just let it be
06 policeman
07 humanity
08 Wind

An entire album grew out of a single idea for a song and united the musicians involved in the band KARABOOM. The four South German professional musicians Katja Boß (vocals), Rafael Schöllhorn (drums), Andreas Schick (guitar) and Tobias Neugebauer (bass) present a musical firework of their own rock and pop compositions. Profound, English-language lyrics reflect the listener's feelings and merge with catchy melodies and rousing beats into a musical experience with a guaranteed catchy tune.

1. Life goes on
2.Yin and yang
3. Follow your heart
4. Flashback
5. Celebrate this time
6. Towards the sun
7. Bassman
8. Three-legged stool
9. Wings
10. Listen to your melody
11. Fight for your life
12. Nostalgia
13. Yourself
14. You made my day

Dagmar Wilgo is known as a recorder virtuoso. With her latest, third CD in the triad "me, myself & i" on TIMEZONE RECORDS, she makes a strong statement for the music world. She surprises us again with the future music she elicits from recorders. Their release concert is on May 7th, 2022. Recorders are a more or less traumatic childhood episode for many. For the musician, they are her life's work, to which she has dedicated herself body and soul. Always looking for outrageous sounds. Self-confident and creative as she is, Dagmar Wilgo explores all facets of the recorder. She was able to persuade seven well-known composers and companions to dedicate solo pieces to her for her project. In the album, these are combined into a contemporary improvisational firework - with exciting crossovers between genres and styles, analog and digital. Her recorders sound so confidently systemically relevant and completely attuned to the 21st century. You can literally hear the recorders cheering about their liberation from the niche as unicorns on the music market.

01 #1
02 - 06 Five registers for five recorders
07 #2
08 Fantasia Prima per un basso solo
09 #3
10 It is
11 #4
12 Masterpiece for Recorders
13 #5
14 - 17 Astrological Temperaments
18 #6
19 Pure
20 #7
21 - 28 rituals
29 #8

For his latest album "Wellentanz", guitarist, composer and sound artist Falk Zenker was inspired by dancing and at the same time created space-giving music that invites you to dance, let yourself be moved and dream away. His individual virtuoso fingerstyle meets the sound aesthetics of loop-based club music between downbeat, trance, funk, folk rock and worldbeats.
With this production, Zenker pushes his art of live looping to the extreme, which he, as the first German acoustic guitarist, has consistently celebrated and refined on stage in more than 1500 solo concerts for 25 years. He elicits unexpected percussive and partly electronically alienated sounds from his guitar and lets them dance together in the form of orchestral, psychedelic, pulsating sound structures. In such loops, finely balanced in the studio, he integrates improvisational moments from recordings of various live and online performances, thus combining audiophile studio production with the immediacy of a concert.
The video productions for all tracks impressively show how Zenker is able to spontaneously conjure up this sophisticated sound firework live on stage with hands and feet - produced exclusively in the moment with guitar, electronic effects, a loop machine and lots of atmospheric improvisations.
After a gentle opening, the tracks lead us into the archaic power of the forest, let us unite lightly with our shadows, move us dreamily on the waves of polyrhythmic 3-beats in the title piece, kidnap us into a powerful autumn-golden trance, drive us once again to the joyful one Move on and finally release with a meditative finish.
Anyone who likes to move to pictorial music should enjoy this album - real or just in their minds, together or alone, for self-awareness in a dance meditation or for inspiration in everyday life.

01 Invitation
02 In the Forest
03 Shadow Plays
04 Wave Dance
05 Dance in October
06 Onwards [Onwards]
07 Back with Me

When a band describes themselves as "left-wing sleazy system folks", it's hard to deny a political attitude, but if you check JUAKALI's online performance, you'll see a lot of fun, buddies and very likeable guys at the same time. Everything is correct. Just like the next cliché, what you get musically dished up by the three. A trio likes to stand for straight, direct and high power.... Powerful dirty garage punk rock. Too fast for Stoner, too little Seattle Sound for Grunge, but contemporary alternative rock that likes to question genre boundaries when you look in the rear-view mirror. The voice is formative and certainly gives JUAKALI its own touch and a high recognition value.
About 3 years ago, the Berliners found each other on the RAW site, a nucleus for music, partying and alternative culture. And that is reflected in JUAKALI's short CV, because after numerous concerts in the Berlin underground, the band used the concert-free pandemic time to record their debut album. Quickly establishing themselves as the "pre-pre-pre-metallica band" (but that's another story), the three are now ready for the next step.
"No Choice" seems to be one of those albums that you play on repeat and just enjoy listening out loud. Good songs, catchy, yet rough and scratchy. There's a lot of 90's guitar sound to be heard. Hard, impetuous, forward rolling songs. Guitar, bass, drums are the foundation. You don't need more.

01 3rd degree
02 Wake Up
03 Overboard
04 Fatal Mistake
05 Arabella
06 The Bush
07 Get Up
08 Cowmance
09 Mountains
10 No Choice

The new sound of graswaechstuebrall has been expanded to include the double bass timbre. It's almost exclusively an electric guitar meets double bass album. A dense, intimate sound, warm and touching. Stories freely improvised, with structure and at times a pop sound that cannot be denied a jazzy touch.
The joy of playing of Dillen (guitar) and Andreas Müller (double bass) does not stand still, but finds expression in this new long player.

1 Far, far, far
2 Excellent !
3 iguana man
4 flower ant
5 Osnabrooklyn
6 blue digits
7 bamboo shampoo
8 breath
9 On a slow train
10 tsunami

Growing up in Friesland in northern Germany, between the tides, the cry of seagulls, and a friendly "MOIN" morning, noon and evening, Alex Cordts moved to Enschede (NL) where he studied jazz saxophones and composing/arranging. His musical experience ranges from classical to heavy metal, where he feels most comfortable in modern jazz.
The project "Alex Cordts Allstar BigBand" consists of musicians from Amsterdam to Berlin, with whom he has played on various stages throughout Germany. These are exclusively original compositions that are difficult to pigeonhole in a "genre".

01 Surf & Turf
02 Game Day BBQ
03 Mac'n Cheese
04 Hot Wings
05 Tri Tip Intro
06 tri-tip

The pianist Klemens Kaatz presents his new solo album "Speaking in Keys". In his own instrumental compositions he tells musical stories, poems, anecdotes and aphorisms. They are pieces that speak, acoustic narratives that seem to have a life of their own. The music is inspired by Balkan folk music as well as fusion jazz and modern classics. Sometimes it sounds weird and scratchy, sometimes light and lively, sometimes opaque and gloomy, sometimes rhythmic and tempting to dance, and it's always beautiful.

01 A Tribute to Ernst Toller
02 Strange Blues for a Strange Country
03 Ithaca
04 Prelude
05 Lady Princess
06 Maybe
07 Aux étoiles
08 Rondeau Oriental
09 sick
10 Short Times of Happiness
11 Visiting Crete
12 Lament No. 7
13 Song of Changes
14 In Love
15 May Day
16 Once Upon a Time

It's that time again: "Jäger & Hypius + Reinforcement" release a new CD. Due to the financial support from the city of Osnabrück, the likeable people from Osnabrück were able to work more intensively on their fourth release. The result is an inspiring homage to love. True to the motto "Only love can still save us!". Because probably only in this motto and the necessary sincerity is the key to peace, contentment and happiness.

01 master plan
02 Singing fish
03 I'm thinking of you
04 The letter
05 The kiss
06 The Garden Of Love

Marco Pleil, the voice with electric guitar from Rhein-Main. Two years after his debut album "Die Spur des Kalenders" and the subsequent single "Love Greetings!/Jazz is not an option", the second album "Keine Zeit" is released again via Timezone Records.
Even standing still is not an option for Pleil! That's why he goes several steps further with "Keine Zeit". While "Die Spur des Kalenders" was a statement in minimalism, Pleil builds (in the truest sense of the word) on loops, beats and, above all, on his old love of incisive bass playing for the twelve new songs. The first single "Depressive Komödianten" combines the most beautiful New Order melancholy with college rock a la REM, "Aus dem Off" could also come from an early The Cure album and the second single "Schön Dich zu sucht" is an electro /Acoustic rocker in compact Hüsker-Dü postpunk songwriting. And before anyone asks: No, it's not a Corona album, neither about nor influenced by! It's the logical step that Pleil has to take. Live and solo, he continues to break the songs down to their skeletal form. But in the context of the album, there are now no more limits!
"Keine Zeit" was produced in the band's own "Bear Cave Studio" by the Cologne band "Locas in Love" by Nicolas Epe (including the Peter Muffin Trio, screenshots), Luis Müller-Wallraf (including the Giant Rooks, The Reality) and Marco Pleil. "Keine Zeit" was mastered by Christian Bethge (Gewalt, Messer, Stella Sommer, Heim, Pleil).
The bonus CD "More Time" contains six earlier Pleil songs, available for the first time on a silver disc and remastered by Christian Bethge: "Love Greetings! / Jazz is not an option", released in 2021 on the limited vinyl single, the "Punkt.statt,Komma" EP with three songs was Pleil's first release as a solo artist in 2013 and the "Gustav-Jäger-Remix" was only available as a free download for a short time in 2014.

01 From the off
02 Depressive comedians
03 No time
04 The new cinema
05 son of Zeus
06 The giant
07 The Last Man
08 dog cat mouse
09 And it burns
10 Nice to see you
11 rooms available!
12 The offensive moment

Bonus CD:
01 Greetings!
02 Jazz is not an option
03 dot.instead of comma
04 fifteen minutes
05 ass on bucket
06 Punkt.statt,Komma (Gustav-Jäger-Remix)

01 Music For A Bird
02 Engels Nachtegaeltje
03 stanzas
04 Tune For the Canary Bird
05 Tune For The Sparrow
06 Pezzi Uccelli
07 Woodycock
08 Birds In My Night
09 Tweede Nachteghaeltje
10 The day awakens
11 Junicanari
12 Sparrow Concert

"MACH!" convinces with a catchy rock-pop sound and well thought-out lyrics. Claudius Mach's songs are multi-layered and their meaning changes with every listen, as new details and lyrical refinements are constantly being noticed. The already released song "We will be heroes" is an excellent example of this. Lyrically at a high level, produced with a love of detail and not least thanks to the distinctive voice of Claudius Mach a real catchy tune. With this album you can feel the constant musical development and the fire that drives him on and on. Few musicians have such a clear idea of ​​what their songs should sound like and what they should say like Claudius Mach.
6-page deluxe digifile!

1. The fuzz
2. Best Friends
3. Live in Hamburg
4. We will be heroes
5. All pure light
6. On the way to you
7. We stand together!
8. Your turn
9. Evil spirit
10. If you want

Preorder - delivery for the release on April 30th, 2022

01 The Valley
02 Ten Below And Falling
03 Billy The Kid
04 Down The River
05 Fist Of Revenge
06 El Cid
07 Hellhound
08 Howlin' At The Moon
09 Stars Collide
10 Snakes & Dust

"When Blues meets Rock and they both meet the Groove"
...that's the best way to describe the sound of Andy Robson & Urban Fox.
And you can hear that very clearly on the band's new album entitled "Be Forgiving". And while this album marks the band's debut on Timezone Records, they're anything but "newcomers." Quite the contrary... The band, made up of experienced top Berlin musicians, has been touring Germany for years under the motto "Rooted in Rootsmusic" as one of the best blues-oriented live bands in the republic and has already inspired thousands of blues and rock fans during this time .
However, the busy musicians never had the time to produce an album. The lockdown period has finally been used for an album. And the result is a work that can undoubtedly compete with the productions of the best and most well-known German blues rock artists such as Freischlader, Diehlmann & Co. Whereby "Urban Fox" bring a very special note into play.
The thoroughbred musician and frontman Andy Robson, born in Berlin in 1977, has always been relatively indifferent to musical trends since he started making music as a teenager in the early 90s. To this day, his style is based on the music that has touched and shaped him since his earliest youth: blues, blues rock, funk and soul....mainly played by greats of the 60s/70s like BB King, Jimi Hendrix, Led Zeppelin , The Allmann Brothers Band or James Brown and Stevie Wonder.
Two other guitarists who were very influential for Andy Robson's own guitar sound are Gary Moore and Warren Haynes. You can hear this at the live shows as well as on the album "Be Forgiving". Fat, "dirty" but still creamy-warm and singing guitar solos and groovy rocking riffs that make the blues rock fan's heart beat faster. He can do that offer a bluesy-rocking vocals that more than does justice to a band of this style and is rather rare to find in German-speaking countries.
With Chris Krauss (bass), Philipp Schmitt (drums) and Ludger Wirsig (Hammond), he also has three congenial musical partners who deliver powerful and tight grooves and an authentic blues rock sound and are undoubtedly more than just one "Backing Band". The exceptional keyboardist Ludger Wirsig also offers a nice addition to Robson's guitar solos with exciting Hammond solos.
The 10 songs on the album "Be Forgiving" captivate both musically and lyrically with their depth, authenticity, power, joy of playing and pure feeling. An absolute (secret) tip for everyone who likes handmade music with a lot of balls and goose bumps.

01 Be Forgiving
02 Old Friend
03 Shake It Off
04 Wall Of Ignorance
05 Can You Soothe Me?
06 Devil's Pie
07 Guitar Man
08 Make My Dyin' Easy (Dedicated To Wayne)
09 My Father's Hands
10 Empty Mirror

A mix of musicians who have all been on stage in other formations before.
A groovy foundation, sweaty heat, unbeatable energy and a group of friends with the same musical heartbeat.
"Jooles & The Hidden Tracks" are on stage with a lot of danceable pressure, years of practice and joy of playing, without being stereotypical, clinical, under-complex or restricted by a genre!

1. Come Home
2. I'm Yours
3. About a Boy
4. Celine
5. Lavender
6. You can count on me
7. Home
8. Lion of a Man
9.Hunter
10. We are the Ocean - We are the Sea
11. Metronomes
12. Anne Song
13. Wedding Song
14. Hunting a Ghost
15. Wouldn't you mind

The four "Forgotten Sons" Gerry (Gerold Hinrichs), Kay Dee (Klaus Dörenkämper), Ringo (Peter Herzberg) and Woodpecker Cartwright (Michael Grunwald) from the district of Osnabrück are countering the forced Corona break 2020/2021 with the production of the first CD .
The band's own song map with around 75 cover songs from the live repertoire provided 13 pieces that
Home studio conditions were initially pre-produced as demos. Additionally, THE FORGOTTEN SONS OF BEN CARTWRIGHT have arranged and recorded two new songs penned by singer Gerry and his nephew Sebastian Hinrichs.
With a distribution option via the Osnabrück company TIMEZONE records and a booked recording studio in hand, the recording sessions finally went to Bad Iburg in the summer of 2021 to the »Mill of Friendship«. The four »Forgotten Sons« found an ideal partner for the realization of the project in sound engineer and studio owner Marcus Praed. At the end of the recording, the three guest musicians - fiddler Peter van den Bos (Music Road Pilots, NL), keyboarder Torsten Kappei (formerly Country Express Salzgitter) and guitarist Martin Lutze (formerly Southern Streamline) - enriched some of the songs their musical skills.
The disc is called Time To Fold The Cards (title song/own composition) and will be released on April 22nd, 2022. 15 song titles reflect the band's stylistic range and go far beyond simply covering country songs. This has been confirmed in preview reviews and critiques within the country music trade press and online portals. There are musical borrowings from Alan Jackson, Toby Keith, Rosanne Cash and Kris Kristofferson, to name just the most well-known performers.

01 Gone Country
02 Sunday Morning Comin' Down
03 He Thinks He'll Keep Her
04 Time To Fold The Cards
05 One way track
06 Should've Been A Cowboy
07 The World Is In A Country Song
08 Flowers On The Wall
09 A Woman's Love
10 Two Step Too
11 Six Days On The Road
12 Sea Of Heartbreak
13 Show Me A Woman
14WhiteRose
15Detroit City

Lars Kutschke was lucky enough to study blues, gospel and soul at the source. As guitarist and musical director for singer Sharrie Williams, he has been touring the USA and around the world for years. For his album "While We're Here" he gathered musical friends and companions from the international music scene such as Tad Robinson, Kirk Fletcher, Alberto Marsico and Alex Schultz to record seven of his own compositions and interpret three of his favorite songs. Due to the many guests present on almost every track, the recording never becomes a “guitarist album”. The tonal palette ranges from lavishly instrumented soul tracks with brass sections and strings to the classic organ trio and earthy power trio.

01Chelsea Morning
02 I Want My Baby Back
03 Denise And The Nephew
04 Hummingbird
05 While We're Here
06 Hidalgo
07 The Closest I'll Get To Heaven
08 Kaloyan
09 Blues Wayne Interlude
10 Coupe De Ville

“I want music that celebrates what is and what we often no longer notice. Something beyond words.”
On the second album "Traces Of The Past" Rio Nin not only shuts down the hustle and bustle of everyday life several gears, he also follows in the footsteps of the past. With these traces, all the happy feelings and memories you thought you had lost are back.
Everything started in the sleepy Nordhorn. cover songs? sing along? I can't. At 15 you have a lot to say to the world. So Rio Nin, aka Mario Brünink, taught himself a few moves, formed a band with a friend and stormed... no, not the charts... but anything that reminded one of a stage. You have to sweat for your first musical laurels. "We didn't want to be coffin savers," says Brünink. "No people dimming their lives." Music was protest. Against feet that have fallen asleep, narrow-minded thinking and sofa wasteland.
“I wanted something completely different. Breaking away with "Smoke on the water" and "Wish you were here" in the musical long-term memory. Something is happening there and he wants to be a part of it. The first compositions were recorded with a borrowed tape. Singer-songwriters like Bob Dylan, Leonard Cohen and the Eagles cheered him on.
"That has always remained: I want to move something with my music," says the guitarist.
And for that, every stylistic device was and is right for him. He mixes elements of folk, rock, jazz and classical music in a well-tempered manner and creates his own, unmistakable sound.
Rio Nin: "Nature in particular has always inspired me."
Style drawers aren't really Nin's thing. Whether with influences of fado, light Mediterranean music, folk or Bach: on the expressive steel-string guitar and with the technique of fingerpicking, Rio Nin creates spaces with his music that you want to crawl into. And in which one dives into the beauty of the world with wide eyes. Everything without words. Stop good music.

01 Traces Of The Past
02 New Beginnings
03 Time Passes By
04 From Heart To Heart
05 Home
06 The Lonesome Oak
07 Beyond Words
08 break down
09 Peace And Quiet
10 Broken Shadows
11 April Min
12 Apple Blossoms
13 A Whisper In The Morning Light
14 Just A Moment
15 epiludes

Cellar country icon and singer-songwriter Dad Horse Ottn used the corona-related lull in performance of the last two years to gather a whole ensemble of top-class fellow musicians around them. With this aircraft carrier line-up, he recorded the most valuable tracks from his back catalog for the album AT THE LIMBO under live conditions in Studio Hire in northern Germany.
For the courageous jump from the Dad Horse solo performance to the "cellar ensemble" he shake hands: Olaf "Sweetheart" Liebert (bass guitar), Michael "The Duke" Jungblut (electric guitar), Ayumi Valentina "Crown Jewel" Tovazzi (violin), Matze "Solo Instrumentalist of the Year 2017" Schinkopf (on a bewildering array of wind instruments), and Hanno "Handsome" Janssen (drums). Together they give Dad Horse the freedom to embody the stomach, heart and throat of the new ensemble with vocals, banjo and mandolin
The LIMBO represents the intermediate zone; the intermediate zone between salvation and damnation, between lockdown and group ecstasy, but also the zone between the old life as a solo musician and Dad Horse Ottn's new manifestation as conductor of a big band, who will be presenting new songs on vinyl from summer 2022. AT THE LIMBO documents as an interim testimony the live qualities of the new band and (again) the astonishing songwriting qualities of Dad Horse Ottn, whose reinterpretations of his all-time favorites arouse anticipation of the next level that he is treading with his new band . AT THE LIMBO - the party is rocking between all chairs and this release is your chance to join the party.

01 Down The Mississippi (At The Limbo)
02 Love Is A Meatgrinder (At The Limbo)
03 The Party
04 Find My Body Down (At The Limbo)
05 Black Green White (At The Limbo)
06 Dried Out River (At The Limbo)
07 Stranger Here Below (At The Limbo)
08 Dead Dog On A Highway (At The Limbo)
09 WTC In Heaven (At The Limbo)
10 I Was Never Whole (At The Limbo)
11 Huggy Bear Motel (At The Limbo)
12 Reach Out Your Hand (At The Limbo)
13 Will I Be Someone (At The Limbo)
14 I'm Falling (At The Limbo)

1. Sonata Prima "La Pellicana": Largo, evivace
2 Sonata Prima "La Pellicana": Grave
3. Sonata Prima “La Pellicana”:
Presto.Prestissimo
4. Engels Nachtegaeltje
5. The Dutch Nightingale
6. Tune for the Canary Bird
7. Tune for the Sparrow
8. Tune for the Bullfinch
9. Tune for the Woodlark
10. Le Coucou
11. Theme all' Imitation Gallina Cuccu
12. The Bird Dance Blues (2010)
13. Le Rossignol-en-amour
14. Les Canaries
15. Les Fauvétes Plaintives
16. Le Gazouillement
17. La Linote-éfarouchée
18. LaPoule
19. Le Rappel des Oiseaux
20. "Sonata Cu Cu"

Resist the beginnings, look ahead and live in the moment.
Where to put down roots when change is the only constant? On their second long player, PRIOR THE END devote themselves to the agony of making decisions. "Cutting My Roots" deals with progress, impotence and decay in three acts. Supported by self-confident songwriting and stylistic diversity, twelve intense pieces deliver the soundtrack to the impermanence of life. The ups and downs of anger and humility are reflected in dynamic compositions that should also work outside of metal, rock and alternative. With a passion for great melodies, a willingness to experiment and accentuated heaviness, PRIOR THE END deliver an emotional work and continue to develop consistently on "Cutting My Roots".

01 Rage & Static
02 Ask Them About Cancer
03 Time Forgot Itself
04 lifeline
05 Pygmalion
06 Trespassing In Sanity
07 No Skin
08 Catalepcity
09 Gaijin
10 Mark It Zero
11 No King On Heaven's Door
12 Cutting My Roots

First Solo Album - Solo stands for Solo Violin on an album where Powerful Voices tell Moving Stories in Beautiful Songs
She studied classically - violin. Then came the first folk band, it was obvious with the instrument. However, she has always been drawn to songwriters with incisive voices. With them she toured through the clubs and pubs of Meck-Pomm and Berlin and climbed theater stages, a highlight - the Scotland tour sponsored by the Goethe Institute. Later, the harder pace in rock bands changed Maike's violin style. Acoustic violin sounds were joined by distorters, octavers, tremolo and delay. She then took them to the big festival stages as support for Status Quo, Uriah Heep, Nik Kershaw or together with musicians like Mike Keneally and Scott Carter Thunes at the Zappanale in Bad Doberan. The encounter and interaction with "City" violinist Joro Gogow was also formative.
After Maike has been involved in numerous album productions by her fellow singers, she now presents her debut solo album "Something New" with a mix of her own songs and those of fellow bands and songwriters, stylistically very diverse in sound and genre. Maike's solo violin (or viola) is the common thread that runs through this album. The songs were created over a period of 2 years and were recorded with more than 30 musicians in different studios. 11 singers, including the Timezone colleagues Silvana Mehnert and Karl Neukauf, shine in English and German. Longing for love, online and other dependencies, political and social issues of our time are taken up and presented in a tangible, touching, lyrical, affectionate, sometimes sharp-tongued ironic manner - in complex arrangements in folk rock, rock pop, classical and finally electronic style .

01 Something New
02 click
03 Hundred Year Kiss
04 Fools
05 Small Wings
06 liquor store
07 Fake Enemy #3
08 On the run
09 Joeline
10 bye bye
11 Libido Blues (Bonus Track)

The album title "Bachiana" is an allusion to the "Bachianas Brasileiras" by Heitor Villa-Lobos. There are also pieces by Johann Sebastian Bach, Alessandro Marcello, Charles Gounod, Irving Berlin, Jerome Kern and Leonard Cohen. As this list of composers already shows, the genre affiliations are pretty much irrelevant. Jazz musicians have always used either current hits or tracks they just liked.
Anything improvised about can be jazz. language of Johann Sebastian Bach will become the dominant element. Bach has influenced musicians across all genres. Not only is he one of my favorite composers, but he was also a great improviser. That, in turn, is known to be the essence of jazz.

01 Partita No. 1 in C minor: I. Sinfonia / All The Things You Are
02 Adagio from Concerto No. 3 in D minor
03 Bachianas Brasileiras No. 5: Aria
04 Prelude in E flat minor
05 Hail Mary
06 The Best Thing For You
07 Air On The G String

With his new solo project, Nik Nova is reflecting on his musical roots and is now releasing his first solo album, "At The Crossroads". It contains ten songs whose singer/songwriter foundations transport influences from blues, rock, grunge and folk and address different emotional states, carried by Nik's changeable and absorbing vocals.
For the Cologne native, the album is an affair of the heart: "Loss and grief, the desire for a better society and time, longing, anger, fear and insecurity: There is hardly anyone who does not feel all of this at the moment. I hope my music can be a catalyst to confront these issues in a healthy way and ultimately take something positive out of it.”
The final overall result is an intense and personal album, which clearly shows that it comes from a gifted musician and songwriter who knows how to translate emotions into sounds and to create an individual musical character from a wide variety of influences. And it's a reminder that a time will come that is less hopeless and stagnant, especially in cultural and interpersonal terms, and when music can once again be a social event.
For fans of: Chris Cornell, Scott Weiland, David Bowie, Nick Cave, Alex Clare, PJ Harvey, Radiohead, Jeff Buckley, City And Color etc

01 Breathing Hard
02 From Empty Rooms
03 Weightless
04 Burial Of A Lover
05 Ghosts Of Puget Sound
06 Quiet Men
07 At The Crossroads
08 Call My Boat
09 Dead'N'Gone
10 Canadian Skies

The fascination of the 13-course baroque lute includes the immense tonal range and richness of color that this portable instrument has. Johann Sebastian Bach's contemporary Sylvius Leopold Weiss is one of the composers who used this instrument in a particularly skilful and sensual way. Gabriele Janneck has selected some of her favorite works from Weiss' larger-than-life music and recorded them for her new solo album. It is entitled "Lute - Larger than Life". The B flat major and D minor sonatas from the Dresden manuscript and the E flat major sonata from the London manuscript can be heard, as can the tombeau for Count Logy and the G minor chaconne, which comes from a fragment of a duet , but is often played as a solo piece. The production was funded as part of the "Neustart Kultur" program - initiated by the Federal Government Commissioner for Culture and the Media, with the GVL (society for the exploitation of ancillary copyrights) as the sponsor.

1-7 Sonata Nos. 31 in B-flat Major
8 Tombeau sur la Mort de M. Comte de Logy arrived 1721
9-15 Sonata Nos. 10 in E-flat Major
16-23 Sonata Nos. 34 in D minor
24 Chaconne in G minor

The album "silverline" is Othmar Plöckinger's fourth studio album. Like the last album "illusions" (2020), "silverline" also follows a thematic line in terms of content, but musically it cannot be clearly assigned. It contains elements of different styles ranging from blues, pop and electro to classical and Wienerlied. The two double tracks “dark waters 1” and “dark waters 2” are examples of this. The stylistic variety is part of the concept of this album. The minimalist appearance of the CD is intended to emphasize the central importance of the music. The CD was again produced in the ôbaxé music studio in Salzburg with the participation of Salzburg musicians.
Oliver Uschmann wrote about the last CD "illusions":
“It's hard to find references for this record. This music […] eludes the simple “If you like this, you also like that…” logic. The bottom line is the feeling of having experienced something with the intellect, but also with the soul.”

01 Dark Waters 1
02 Dark Waters 2
03 Right Or Wrong
04 Once In A While
05 Old Love
06 Da last bus
07 Everything Is Fine
08 backwards
09 Night's End

“This album has a special meaning for me for several reasons. Recording a band album with international musicians during isolation and lockdown was a challenge but I did it - a wild ride. I made this album for myself but I think a lot of people out there need it right now. It can be the soul spark and good vibes to banish your sadness and sometimes it can be the hand on your shoulder. That's what Soulify means to me.”

01 Home
02 Introducing: The Fuzznotes
03 I Can't Stand A Woman Cryin'
04 Karma Knows Best
05 Sugar Babe
06 Can't Get Enough Of You
07 hold me
08 I Don't Believe In Miracles
09 Coming On Strong
10 Trouble Never Let You Down
11 Please Don't Quit Me Baby
12 chicken soup
13 How Long
14 I'm Here

<p>Here it is, the ninth album from the &ldquo;oldies&rdquo; The Keltics.<br>After five studio CDs, two live CDs and one ballad CD, the first album &ldquo;9&rdquo;, recorded entirely with their own composed and texted songs, was released. The CD was recorded, mixed and mastered at Echolane Recording Studio at the end of 2021.<br>&bdquo;We've been on the road for 30 years now and spreading fun&szlig; and delight in Irish folk rock. If you haven't seen us live yet, you've missed something. The pandemic has forced us to break new ground,&rdquo; said the singer and veteran of the band, Thys Bouma. &ldquo;We were completely &ldquo;underplayed&rdquo;, as was the entire music scene, and we suddenly had time. We made the best of it and worked on our own ideas. None of us would have thought that a whole album would come out of it.<br>Unfortunately there was a problem. How should we pay the production costs?<br>During the pandemic there were no opportunities to perform, so the costs for the production of the CD could only be covered by successful crowdfunding. A big thank you to all&rsquo; our fans for their financial support.<br>We are very happy about the result and hope that you will remember the lyrics well so that we can have a nice choir for the coming live season have in the audience. ;-).&rdquo;</p>

01 My Father Always Said
02 Endless Time
03 Moby Dick (Wooden Leg)
04 Flowing Down The River
05 The Tick Song
06 moonshiners
07 Drunk Lazy Bastard
08 Nine Pints ​​Of Beer
09 All Ends Right
10 The Captain
11 The Gap
12 Waltzes In The Snow

You are powerless, in constant stress, with your nerves at the end... You are ambitious, making plans and want to experience something... You are a music lover, an experienced jazz friend or an expert... We will take you on a journey to the sunny Spain!
Stephan Schott (drums and production), Martin Scheer (double bass/e-bass) and Gerontiy Chernyshev (piano and composition) have captured fascinating moments of improvised music for you....
Don't miss the joy-giving sounds of our trio!!!

1. Expectation
2. Pack your bags again
3. On the go
4th next
5. Morning
6. Ascension
7. Castle
8. Boardwalk
9. The sea
10. Farewell
11. Return journey
12. Home again
13. Bonus track: A day in Dortmund (demo)

Due to the international success of their 2020 double album "Quiet Days on Earth", Nico Walser and Hagen Bretschneider decided to expand the previous duo studio project with other creative people. The six creators of the brand new 'The Inner World Outside' album now call their style Cinematic Prog Art.
With the German-English film composer and conductor David Marlow, they expand their symphonic approach, with the theoretical physicist "Timoog" Timo Aspelmeier, a Canterbury influence is added along with a few other things. They were able to engage Judith Retzlik from Berlin on violin, viola and cello. Photographer Andrea Weiß strengthens the team with her visual ideas and digital art.
With their work, the Germany-based Electric Mud turn a magnifying glass on issues such as isolation, societal change and escapism.

01 Exploring The Great Wide Nothing
02 The Fear Within
03 Around The Mind In 80 Reads
04 Those Who Leave The World Behind
05 Guardians Of The Weather Machine
06 Silent Stranger Suite
07 Serotonins
08 Descent Into The Forsaken Valley
09 Moving On

Preorder - release on 03/18/2022

In incredibly oppressive times, when nothing seems to be as constant as insecurity, fear, sadness and pain, you long for a trustworthy friend. For a real friend who will hold your hand and accompany you through the long night with determination.
With their new album PAIN, RAVENFIELD enable nothing less than exactly that! PAIN is the proven soundtrack of our unstable present. Deeply serious Dark Rock, which breathes a velvety soulful charisma from full chest. Ten songs full of haunting feelings, heartbreak, sadness and anger, which unmistakably sound like hymn-like liberation - dark music that gets under the skin with no room for superficiality.
PAIN was recorded and produced in the well-established DarklandStudios by the experienced End Of Green frontman Michelle Darkness.
The result are stirring songs that roll into your ears with pleasurable elegance. Also vocally outstanding, RAVENFIELD offer a whole series of pleasant goose bumps on this album. And so in the ballad "The Pain" there is a captivating duet between Polo and bass master Darkness, in which one can almost grasp the excruciating pain and the agonizing grief.
With PAIN, RAVENFIELD offer a successful series of catchy highlights that take you by the hand and accompany you through the darkness. Impossible to ignore, because it's just too easy to catch!

01 Faith To Hate
02 obsession
03 killers
04 Circles
05 Monsters
06 The Pain feat. Michelle Darkness
07Autumn
08 down fall
09 Fast And Curious
10 chains

01 heaven
02 The yacht
03 Get me out of here
04 Your pictures
05 And go!
06 Earth
07 Old home
08 Hello music
09 I'm fine
10 crows
11 Frank II

The album "Electrified", recorded in 2020 with guitars from the seventies and partly with equally old studio equipment, is a declaration of love for the traditional electric blues. This is blues with no frills and zeitgeist, a musical staple. This is the music that "electrified" guitarist and singer Greyhound George and bassist Wolfgang Schäfer back in the 1970s.
Countless concerts of the American originals and countless records shaped the then young musicians, who picked up a bit of everything. Luckily there was already a lively blues scene in Bielefeld back then and so they quickly had their own bands.
In Wolfgang's case it was the "Lohmann R&B Chapel", which is still touring all over Germany today.
George led the blues journey with "Greyhound's Washboard Band" to the finals of the 2018 International Blues Challenge in Memphis. There he was given a very special honor: Muddy Waters guitarist Bob Margolin came to the stage immediately after his performance, shook his hand and said: "You are a great bluesman!" George must have done something right there...
The third man is drummer Detlev Schütte, originally a jazz musician but open to everything and tried the blues in many jam sessions. With his incredibly creative and multi-layered playing, he gives the trio's sound a special, jazzy, groovy note.
The harp player Andy Grünert, who was also present in Memphis, can be heard as a guest on some titles.

01. Please Come Back
02.Nightlife
03. Nobody Wants A Bluesman
04.Jump
05. The King And I
06. Follow The Money
07. Don't Call Me Lazy
08. Old Man's Blues
09. Build Me A Road
10. Sweet Potato Fries
11. Down Home Girl
12. Take A Good Look Around
13. What's Up
14. Basic blues